Meet LΞITI: from street to studio, an Artist's journey of expression and evolution

Today, we’re thrilled to dive into the mind of LΞITI. A young German artist with a deep fascination for obscurity, LΞITI’s artistic vision revolves around reducing shapes and symbols to their most essential forms. Through the use of acrylics and spray paints, his minimalist creations bridge raw simplicity with vibrant storytelling.

LΞITI’s work ranges from surrealist doodles to meticulously stenciled portraits, yet it retains a cohesive identity. His signature lies in a consistent, bright color palette and a striking interplay of light and shadow, creating pieces that are both bold and intimate. Driven by a profound respect for the authenticity of his materials and subjects, LΞITI invites each viewer to engage in their own unique discovery of his art.

Join us as we explore his creative process, inspirations, and vision for the future in this captivating conversation.

Hi LΞITI, first of all, could you tell us what initially drew you to art and how did you get started as an artist?

Art has been a part of my life since childhood. I always enjoyed spending a lot of time alone, I discovered early on that visual expression felt more natural to me than words. Around the age of 13, I started skateboarding and became fascinated by the graphics on boards and clothing. It was more than just aesthetics—it was a form of self-expression, a way to connect with a brand or a team and show who you admired. Holding the first piece of self-designed clothing with my art on
it was a pivotal moment—it hooked me instantly. From there, I kept experimenting with different mediums, working on anything I could find: clothing, boards, canvases, paper, mirrors, old doors - whatever was affordable and accessible. I’ve always been captivated by the process of creating and completing artistic projects, and that passion has stayed with me to this day.

Can you describe your creative process? How do you develop your
ideas and concepts?

My creative process is very organic. I try not to force ideas but let them develop naturally as I go about my life. I’m always aware of my surroundings, often noting small details like colors, textures, structures, or even everyday objects.
These observations later find their way into my work. I know I’ve hit on a good idea when it comes to me effortlessly—it just feels right. From there, I dive into researching how to bring it to life. The deeper I go into a project, the more it evolves, often sparking ideas that make it even better. My goal is always to create something that would captivate me if I saw it for the first time.

Who or what are your biggest artistic influences, both within and outside the street art movement?

I don’t draw much inspiration from traditional or modern art scenes; instead, I find it in my surroundings - usually on a subconscious level. I pay close attention to small, often overlooked details, like the way light reflects off a surface, textures, materials, or even random doodles in unexpected places. Nature is another significant influence for me—it provides a peaceful counterbalance to life in
Berlin. I love spending time in quiet, serene environments and capturing those moments on canvas. Beyond that, I’m inspired by other creative fields like streetwear and designer fashion, architecture, interior design, and music—especially hip-hop culture. I enjoy analyzing the visual concepts of musicians, from their music videos to editorial shoots.

What themes or messages do you aim to convey through your art?

My art revolves around feelings and emotions, focusing on the intricate forms and ways of human interaction. The viewer is encouraged to indulge in an individual discovery of the work. One of my artistic aims is to make the art world more accessible to an open public and to enthuse people to learn more about its facets and complexities. I want my work to speak to everyone—yet leave room for personal interpretation; the artwork is hence completed by the viewer’s story and feelings projected onto it.

Acrylic and spray paints dominate your creations. What is it about these mediums that aligns with your artistic vision?

I gravitate toward acrylic and spray paint because they allow me to work quickly and in the moment. Their fast-drying nature complements my process, keeping the energy and spontaneity alive in my work. I also love the opacity these mediums provide; they let me experiment with endless possibilities across various materials—whether it’s canvas, clothing, wood, or metal. This versatility aligns
perfectly with my vision to push boundaries and bring my ideas to life.

How does your experience as a street artist influence your studio work, and do you approach these contexts differently?

Painting murals in public spaces is an entirely different experience from working in the studio. On the streets, the environment adds a layer of unpredictability—whether it’s the surface, weather, or interactions with people.
Like for example when I was doing a mural in Venice Beach I almost got robbed for my cans by a random person. When I painted a big wall in Cape Town my girlfriend had to organize a security guard, because every local told us this area was really sketchy and we probably also would have gotten in trouble if we didn’t have him. Despite the challenges, I love the energy of street art. It’s
raw and accessible—anyone can engage with it, and you often connect with amazing people or other artists along the way. Studio work, on the other hand, is my calm space. It’s where I can focus deeply, refine my techniques, and push my skills to their limits. It’s a more meditative process, allowing me to immerse myself fully in the details and precision of the work.

As a young emerging artist, how do you see your work evolving in the future? Are there new mediums or collaborations you’d like to explore?

I’m always looking to evolve—exploring new styles, refining my motifs, and adding more detail to my work. Comparing my current prints to our previous ones, you can see a shift in form and structure, reflecting where I am creatively right now.
That said, I can’t predict exactly what’s next; it just has to feel authentic. Lately, I’ve been experimenting with metal and laser as new mediums. I’m drawn to the texture and reflective quality of metal—it’s opening up interesting possibilities.
As for collaborations, I’m open to anything—from fashion and interior design to skateboarding or entirely new fields. A dream project of mine would be to paint or wrap an entire car—it’s a concept I’d love to bring to life.